There is no man in the world who has never had self-doubts, and has not been in panic or frightened in a critical situation. We all react differently in certain situations and have different level of fear of the same situations. Forming of our response is influenced by various factors of life. Anxiety connected with the fear of public performance is well known to musicians. One’s performance anxiety is utterly paralyzing and someone else’s – inspiring. Trembling, dry mouth, sweating hands, instant forgetfulness, nervousness, inner struggle and self-examination: Do I know it? Will I succeed? Will I disgrace myself? What if I make a mistake? – are just a few of the side effects of performance anxiety and questions of regular issues imposed in such alarming situations. The scientific definition of performance anxiety reads as follows: Performance anxiety (stage fright) is the fear of failure. Taken from my book |
Monthly Archives: June 2012
HOW TO OVERCOME THE NEGATIVE EFFECTS OF PERFOMANCE ANXIETY (STAGE FRIGHT)?
The basic condition for this is to master and learn the piece thoroughly. It is useful to have an honest dialogue with yourself. Ask yourself questions as often as possible about all this and answer to them and clarify them. For example, ask yourself: Why do I suffer from performance anxiety? What are the things I am afraid of at the moment of performing and why do I fear? What makes me feel so bad? What can happen to me if I make a mistake? If you analyze all this, you will probably realize how unrealistic performance anxiety is. It is just a product of your imagination and this cognition will mean a lot to you.
When you find yourself in a panic situation you must learn to laugh at yourself. It overcomes performance anxiety. You must learn how to live with it and get along with this problem. Ask yourself a logical question: If everyone has it, isn’t it something normal? Sometimes you should let this frightening assumption happen to you. What do you think will occur in most cases? Usually nothing, because it is all in your mind and your fear. Taken from my book |
ANALYSIS OF PUBLIC PERFORMANCE
This is a very important moment in the development of a musician. After each performance an overall analysis should be done with the clarinet teacher. Then you should discuss everything: your access to the stage, your playing, the speed of playing, tone, interpretation, acting on the stage, bowing, your appearance and leaving the stage. ———————— It is good to hear the opinions of other listeners and viewers. Never take all the critics as the argument for the disappointment, but as an indicator to what you should pay more attention to when performing in the future. You have to comprehend the truth of the saying: A man learns from mistakes. Taken from my book |
DRESSING-UP FOR A PERFORMANCE
Live perfomaces are not an everyday occurrence. They are the result of your great work and dedication. They present a ceremony for you and you should be dressed-up appropriately for the ceremony. Every genre of music requires a certain way of dressing-up. You play serious-classical music so you have to dress-up appropriately. If you think about it, you will agree that Mozart and sneakers do not really go together! This music has always meant white (ceremonial) shirt with dark trousers or skirt, or a waistcoat and a bow tie or tie. Shoes should also be dark. This type of dressing-up for the public performance shows your respect for the events which you have participated in and for the audience. As the music is a part of culture, this kind of dressing-up can be called the cultural dressing-up. Taken from my book |